Camille Moreau-Nélaton. Une femme céramiste au temps des impressionnistes. beaux arts then to Spain during the

then to Spain during the Reconquista

que ce soit pour l'étude historique ou pour le potentiel architectural de ces réalisations

They emphasize the importance of the classical

Following on from Scénographie d'exposition

A large part of the works are loans from the Egyptian rooms of the Egyptian Antiquities Department of the Louvre Museum

Camille Moreau-Nélaton. Une femme céramiste au temps des impressionnistes. beaux arts then to Spain during theFrom the late 1860s until her sudden death in the Bazar de la Charit fire in 1897, she led a singular career, a real challenge at the time for a woman of the upper middle class. Her pieces, of exceptional quality, even though they were amateurish, are marked by the taste of past centuries or tinged with a Japonism that was more modern than then. This catalog, published as part of the fourth Normandie Impressionniste festival, constitutes the first