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Pallas 115/2021. Percussions antiques. Organologie. Perceptions. Polyvalence. L'affichage de la parenté dans le monde antique. Proche et Moyen Orient Anders Petersen

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Anders Petersen

as well as their participation in the artistic scene of the capital of modern art

the Flemish Jan Van Eyck (1390-1440) was at the origin of a new art of painting capable of achieving an illusionistic rendering unmatched until then

"The Nubian Church of Es-Seboua" H

the Abbasid capital in the 9th century

Pallas 115/2021. Percussions antiques. Organologie. Perceptions. Polyvalence. L'affichage de la parenté dans le monde antique. Proche et Moyen Orient Anders PetersenFile 1: It focuses on ancient percussion instruments, that is, musical instruments and, more broadly, sound objects, from different angles: the analysis of the sound mechanisms of these artifacts (archaeology, organology); the analysis of their representations (iconography, literature); the analysis of their uses and symbolic values (rhetoric, narration, identity discourses). The 9 contributions cover different cultural and historical areas:

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