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from the study of sites and materials
but also to secondary actors in political life such as L
both at the territorial level
[5] 72-77 Revillout
as a great spectator of the world of men
Bonnard et le Japon. Beaux-arts from the study of sitesPierre Bonnard (1867 1947) considered Japanese prints as an essential model for his commitment to modernity. These images, from a distant land, taught him new aesthetic principles that transformed his artistic practice. The French painter shared with the great masters of Japanese prints a sensitivity to human beings, nature, and animals, as well as a shared interest in the representation of everyday life combined with a certain fantasy. Through a
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